If I remember correctly didn't Charlie Hall manage to use the second pedal on the G9, which has sideways movement as well as vertical, to simulate the
De Armond sound. I believe it was something to do with the Resonance setting on the pedal
Moderators: David Martin, Iain Purdon, dave robinson, George Geddes
dave robinson wrote:I've been doing a bit of fine tuning on the few patches I've made with exciting results. I'm going to try them 'live' over the weekend and if I feel there is the desired improvement I'll happily pass them on to whoever wants them.
franko wrote:Hi Mr. Dave Robinson, I'm new in this forum and I've also got a Zomm G3.v2
I read on page 1 of this post that you programmed ten patches for playing Shadows:
A0. Apache
A1. Shadoogie
A2. Wonderful Land
A3. Midnight
A4. Man Of Mystery
A5. Slapback
A6. Duane Eddy Twang using tremolo & reverb
A7. Straight just a little compression for rhythm and R & B lead
A8. Chorus
A9. Fuzz for Gary Moore type lead using a little reverb and delay
I would appreciate if you let me know if these patches are made available to download (and how) or sent by email.
Thank you!
Hi Franko, unfortunately I no longer have my Zoom G3x and consequently have no further use for the patches, since I put my faith in the new Hall & Collins echo from Charlie Hall. However if you want patches for the Zoom that I made, I would have no objection if one of our members here who did have my patches passed them on to you. Alternatively you can buy a full set of patches from Hall's Echoes if you contact Ross Hall. You just have to do a Google search to find him.
Kind regards
Dave.
Greetings from Italy
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