by dusty fretz » Tue Aug 26, 2014 8:07 pm
I must admit I hadn't seen this shot before and didn't think of searching the Grimshaw site to find photos of equally old Burns! Thanks to Bill, I now have a pictorial record of half-a-dozen examples of this earliest Artist, including yours, Ray. All appear pretty consistent in terms of construction and components, which isn't bad for Burns guitars from ANY period, let alone this small-time, hand-building era!
Retailing for 49gns in January 1960, the cream/black plastic version represented the next step in the swift transition from the prototype 'Artistes' model (advertised in December 1959) to the black scratchplate-equipped evolution that soon appeared early in 1960, followed equally speedily by the much more familiar (and more expensive) vibrato-toting Vibra Artist.
The stated date of the photo is 1960 and coincidentally, the May 28th 1960 edition of Melody Maker includes an ad from distributors/retailers Besson & Co, stating: “Demo June 4th - Burns Vibra Artist & Bass with The Skyways & Mr. Ormston Burns”. This indicates the introduction of the vibrato version, which means that the fixed bridge, black scratchplate Artist was probably almost as short-lived as its cream colour predecessor.
It does confirm just how quickly Burns design ideas were changing and progressing during that formative time, with virtually only handfuls of each instrument type being built before significant amendments were incorporated. It's all very intriguing for those interested in this pioneering period, but research is equally fraught with frustration and confusion for anyone intent on trying to accurately piece together this particular puzzle. However, I like to think I'm nearly there!